Staging the Impossible for Young Audiences: Preliminary Findings in a Research Project

Abstract

“You should not be able to notice that it is theatre for children!” says Suzanne Osten, Swedish theatre director. How is this view compatible with her statement that Theatre for Young Audiences (TYA) should always take the child's perspective? In this article I draw attention to Osten's motivation and ability to do what some reckon to be impossible, unheard of, and/or irresponsible. Staging taboos such as divorce, suicide, eating disorders, and schizophrenia for children has been something of a trademark for Osten. I will widen the focus beyond the thematic content, by analyzing how she gives this a formal expression: how theoretical, aesthetic, kinesthetic, and playful approaches challenge, reveal, and create a presentation that communicates message and emotions.