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ABSTRACT
The representation of superheroines in comic books and comic book movies tend to subscribe to the patriarchal logic of the male gaze, with male subjects looking at women as hypersexualized objects and corporeal spectacles. Black Widow is the most fiercely feminist offering in the Marvel Cinematic Universe to date, featuring young women resisting a powerful, rich, old, white male villain and fighting against his evil design to control the world. There are multiple refreshing developments in this “Phase Four” film from Marvel Studios. Drawing on feminist textual readings of superheroines’ depictions in comics and cinema, this article (1) engages a shift away from the male gaze and its impact on the representation of strong female characters without the trappings of hypersexualization, and (2) suggests what films like Black Widow can offer regarding notions of what relationships constitute “family” in our society.
Disclosure statement
No potential conflict of interest was reported by the author.