Live electroacoustic music: Old problems, new solutions

Abstract

This paper presents some observations on certain fundamental issues associated with the presentation of music which combines performers and electronically generated and processed signals delivered by loudspeakers. I contend that several factors have limited the growth of the genre and will attempt to illustrate their origins and consequences. These comments lead to some general recommendations to correct the situation and to some observations from my own experiences as a composer and performer. Finally, I examine a few new technologies which may soon impact the genre.