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Interviews

THE SPIRIT LIVES! An interview with Douglas Blazek

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Disclosure statement

No potential conflict of interest was reported by the author(s).

Correction Statement

This article has been corrected with minor changes. These changes do not impact the academic content of the article.

Notes

1 Douglas Blazek's magazine began as Ole but then became Olé, which is his preference.

2 ‘Douglas Blazek’, Poetry Foundation, https://www.poetryfoundation.org/poets/douglas-blazek.

3 Blazek's life's work is being published by Edition Muta. Eight volumes have been published so far: https://www.editionmuta.com/?show=37

4 As becomes clear in the interview, Blazek is referring to the mid-1950s here.

5 Sears Roebuck had a large mail order outfit; they sold items, including typewriters, which were manufactured by other companies, but branded as theirs. Sears sold a range of mimeograph machines designed for personal and office use.

6 Blazek published Bukowski in the first volume of Olè in 1964. Blazek also edited A Bukowski Sampler (Quixote Press, 1969).

7 The Chicago Review became associated with the Beats and the Underground after an excerpt of William Burroughs's Naked Lunch was published in 1958, as wells as a special issue on Jack Kerouac the same year.

8 Peter Finch is a Welsh poet and critic who edited the little magazine second aeon (1966–1974), which included contributions from Blazek. Lee Harwood (1929–2015), was a British poet and translator. He was the editor of several short-lived little magazines, among them Night Train and Horde.

9 Offset, or offset lithography was often used when images were used in little poetry magazines.

10 Black Sparrow Press, founded in 1966, became of the best-known small presses, thanks to their championing of Charles Bukowski in particular.

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