ABSTRACT
Older adults worldwide are facing disproportionate levels of isolation and loneliness. The current frameworks for understanding social isolation and loneliness include factors such as the physical and mental health of the individuals, loss of friends and family, level of education, relationships, and the built environment. While these models are useful, they fail to consider the individual experiences of older adults holistically; as an example, they do not include older adults’ relationship with themselves as they navigate the many challenges of life. In this article, I propose a novel framework for describing social isolation and loneliness in older adults that includes relationships to their changing bodies and experiences, to history and literature, and to nature and current events. Considering this revised framework, I summarize my observations as a teaching artist using Bharatanatyam, a 2,000-year-old Indian traditional dance form, in alleviating loneliness and isolation. Outcomes are in the form of qualitative narratives that are thematically united and presented. Given the highly communicative and relational nature of Bharatanatyam, I hypothesize that immersion in Bharatanatyam will enable connections of various kinds. This article describes three ways in which Bharatanatyam is particularly well-suited to build connections; these are 1. Connection with oneself in body, mind, and psyche; 2. Connection to tradition and history and 3. A systematic structure of relating to others, to the nature and environment, and current events.
Disclosure statement
No potential conflict of interest was reported by the author(s).
Author contributions
The author, Sloka Iyengar, is responsible for all aspects of this manuscript, its conception, design, data collection, thematic analysis, data interpretation, drafting of the paper, and revising it critically for intellectual content. No other author is involved with the work described in the manuscript.
Data availability statement
The manuscript has no personal or identifying information about the participants. The participants of this study did not give written consent for their data to be shared publicly, so due to the sensitive nature of the research supporting data is not available.
Ethics approval
The manuscript has no personal or identifying information about the participants.
Informed consent
The manuscript has no personal or identifying information about the participants.
Participant images
Participants have been de-identified; the author, Sloka Iyengar consents to her image being published.