Asian Cinema and the Use of Space: Interdisciplinary Perspectives

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Notes

1. Sergei M. Eisenstein, “Montage and Architecture,” Assemblage, December 10, 1989: 110–131 was believed to have been written between 1937 and 1940; and Auguste Choisy, Histoire de l’Architecture: Volume 1 (Paris: Gauthier-Villars, 1899), 413.

2. See David Desser, “Introduction: A Filmmaker for All Seasons,” in Ozu’s Tokyo Story, ed. David Desser (Cambridge: Cambridge University Press, 1997), 1–24.

3. See Mary Ann Doane, “Scale and the Negotiation of ‘Real’ and ‘Unreal’ Space in the Cinema”, in Realism and the Audiovisual Media, eds. Lúcia Nagib and Cecilia Mello (Basingstoke: Palgrave Macmillan, 2009), 63–81.

4. Laura U. Marks, The Skin of the Film: Intercultural Cinema, Embodiment, and the Sense (Durham, NC: Duke University Press, 2000), 153.