Gals on the slab: Fetishism, re‐animation, and the dead female body

Abstract

The simultaneous presence and absence signified by the dead body constitutes a very powerful, and resistant, text. This paper examines the representation of the dead female body in a range of fiction and films, and explores the extent to which these silent and absent bodies might be said to speak louder, and exert a greater presence, in death than in life. The power and appeal of these bodies is further explored in relation to the arguably fetishistic impluse underlying the desire to possess, and somehow re‐animate, them, as readily controllable substitutes for the ‘real’ women they once embodied.