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Notes
1. These other texts include K. Kaido, Reconstructions: Avant-Garde Art in Japan 1945–1965. Oxford: Museum of Modern Art, 1985; A. Munro et al., Scream against the Sky: Japanese art after 1945. New York: Harry N. Abrams, 1994; Reiko Tomii, ‘Historicizing “contemporary art”: Some discursive practices in gendai bijutsu in Japan’ in positions: east asian cultures critique 12(3), winter 2004; Bert Winther-Tamaki, Art in the Encounter of Nations: Japanese and American artists in the early postwar years. Honolulu: University of Hawai'i Press, 2001; Bert Winther-Tamaki, ‘Oil painting in postsurrender Japan: Reconstruction subjectivity through deformation of the body’, in Monumenta Nipponica 58(3), autumn 2003.
2. His first citation of a Japanese authority on (p. 1) the composer Ichiyanagi Toshi is from 2002.
3. See Omuka Toshiharu, ‘The emergence of a mass audience for modern art in Japan’ in John Clark, Maurizio Pelleggi and T.K. Sabapathy (eds.), Eye of the Beholder. Sydney: Wild Peony, 2006.