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THE PERFORMANCE SPACE

Saved by Gertrude Stein, Or The Life You Perform Can Become Your Own

Pages 175-186 | Received 23 Dec 2011, Accepted 26 Dec 2011, Published online: 02 Mar 2012
 

Notes

1. When preparing the audition and the subsequent monologue, “Gertrude Stein as Gertrude Stein,” I consulted the following in addition to the references listed: Janet Hobhouse, Everybody Who Was Anybody: A Biography of Gertrude Stein. New York: Putnam, 1975; Carl Van Vechten's edited collection, Selected Writings of Gertrude Stein. New York: Vintage Books, 1972; Gertrude Stein's Paris, France. New York: Liveright, 1940; “Gertrude Stein, Edith Wharton, and The Fool's Journey”; “Writing is Hearing and Saying: Gertrude Stein on Language and in Performance”.

Additional information

Notes on contributors

Lynn C. Miller

Lynn C. Miller is a novelist and playwright and codirector of the Albuquerque Writers Co-op, a community for southwestern writers. Previously, she was Professor of Theatre and Dance at the University of Texas at Austin

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