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Acknowledgements
We would like to thank the following people for their help with compiling this issue: David Bradby, Maria Delgado, Murray Edmond and Tony Howard for their input into the editing of all the pieces as well as the shape of the whole issue, for which we are hugely grateful; Halina Filipowicz, Kathleen Cioffi and Elwira M. Grossman for detailed expert assistance on the bibliographies; for help with the photographs we are indebted to Gardzienice, Jane Frere, Kamila Klamut and staff at the Grotowski Centre in Wrocław, Wojciech Majcherek and the archive of Teatr magazine, Thomas Richards and Mario Biagini, Elżbieta Wrzesińska of the Narodowy Teatr Stary archive, Teatr Kana, Studium Teatralne, Urszula Szwed-Strych and Teatr Rozmaitości; we are also grateful to all those photographers who generously donated their work to this issue; appreciation goes to the University of Kent and the Arts and Humanities Research Board for supporting Paul Allain with study leave and with a Small Grant to research and complete this work. Finally we would like to thank Tom Morris and Helen Nicholson for their patience and understanding.
Notes
A fuller version is available on the Taylor & Francis website including selected cultural events, premieres, publications, festivals and deaths of important individuals – see http://www.tandf.co.uk/journals/titles/10267166.asp. Inclusion in the bibliography and chronology runs up until May 2004, the period of final preparation of the manuscript. There is also a list of selected websites related to Polish theatre on this site.
The extensive bibliography of new Polish plays which accompanies Trojanowska's article can be found online, alongside the bibliography of works in English on Polish theatre of the period.
More information about their work can be found in Hidden Territories: the theatre of Gardzienice, Włodzimierz Staniewski with Alison Hodge, with a CD-ROM produced by Arts Archives (London and New York: Routledge, 2004). This and other texts in English and Polish on Polish theatre of this period can be found in the bibliography at the end of this issue and in more detail online at http://www.tandf.co.uk/journals/titles/10267166.asp where there are fuller bibliographies of texts in Polish and in English.
An interesting example is that rather than turning to Moscow, as Grotowski had done some 50 years ago, Warlikowski spent time working as an assistant to Peter Brook and Giorgio Strehler.