Endnote. Introduction

"Endnote. Introduction." Contemporary Theatre Review, 20(2), pp. 221–222

Notes

1. Cited in We Love You: On Audiences, ed. by Thomas Frank and Mark Waugh (Frankfurt-am-Main: Revolver 2005), p.48.

2. Presentation for a panel on ‘Occupation: Dramaturg’ at DRAMAforum, Instytut Teatralny with Jagellonian University, Warsaw, 24 January 2009.

3. Doctoral research undertaken by Jacqueline Bolton at theUniversity of Leeds analyses and discusses this tendency.

4. Exeter Phoenix is increasingly recognized as an important venue for live art and experimental theatre. See, for instance, Dorothy Max Prior's editorial to Total Theatre (Volume 20, Issue 04, Winter 2008–9 page 1, February 2009), where she writes: ‘London isn't the epicentre of experimental theatre/performance practice currently … Look a little further afield and you'll notice venues such as Warwick Arts Centre, The Basement in Brighton, greenroom in Manchester, Arnolfini in Bristol, The Phoenix in Exeter and The Arches in Glasgow- vibrant artistic centres commissioning and programming exciting new work.’