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Notes
1. David Greig in conversation with Dan Rebellato, David Greig Symposium, University of Lincoln, 29 March 2014. With thanks to Danny Ridealgh for transcribing the Q&A. Visit Interventions, the website for Contemporary Theatre Review, for a longer version of this interview, as well as additional provocations from Greig and others <http://www.contemporarytheatrereview.org/2016/interventions-26-1/>.
2. Robert Shore, ‘Why the Midlands Is the Best Place in Britain’, Guardian, 26 March 2014 <http://www.theguardian.com/uk-news/2014/mar/26/why-midlands-is-best-place-in-britain> [accessed 28 October 2015].
3. John Harris, ‘Why Ukip’s Little England Is Full of Eastern Promise’, Guardian, 24 March 2014 <http://www.theguardian.com/politics/2014/mar/24/ukip-little-england-east-anglia-lincolnshire-elections> [accessed 28 October 2015].
4. See Robert Ford and Matthew Goodwin, Explaining Support for the Radical Right in Britain (London: Routledge, 2014), pp. 152–59.
5. Matthew Smith cited in Harris, ‘Why Ukip’s Little England Is full of Eastern Promise’.
6. Ibid.
7. David Greig, ‘Internal Exile’, Theatre Scotland, 3.11 (1994), 8–10 (p. 8).
8. Jacques Derrida, The Other Heading: Reflections on Today’s Europe, trans. by Pascale-Anne Brault and Michael Naas (Bloomington: Indiana University Press, 1992), p. 5.
9. David Greig, ‘Rough Theatre’, in Cool Britannia? British Political Drama in the 1990s, ed. by Rebecca D’Monté and Graham Saunders (Basingstoke: Palgrave Macmillan, 2008), pp. 208–21.
10. Greig, ‘Rough Theatre’, p. 213.
11. George Rodosthenous in conversation with David Greig, ‘“I Let the Music Lead the Dance”: Politics, Musicality and Voyeurism’, New Theatre Quarterly, 27.1 (2011), 3–13 (p. 4).
12. An exception to this is Clare Wallace’s The Theatre of David Greig (London: Bloomsbury, 2013), which contains discussions of both Yellow Moon and The Monster in the Hall together with two of Greig’s earlier works for young people, Petra (1996) and Dr Korczak’s Example (2001).