Digital

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Notes

1 Alison Flood, ‘Digital Publishing: The Experts’ View on What’s Next’, Guardian, 10 January 2014 <http://www.theguardian.com/books/2014/jan/10/digital-publishing-next-industry-revolution> [accessed 11 March 2014].

2 For a further discussion of Snapchat, see Paul Allain’s contribution to this issue, pp. 32–35.

3 See MediaCommons, ed. by Kathleen Fitzpatrick and Avi Santo <http://mediacommons.futureofthebook.org/> [accessed 11 March 2014].

4 Kathleen Fitzpatrick, ‘What a Press Can Add in the Age of DIY Publishing’, Planned Obsolescence, 21 June 2012 <http://www.plannedobsolescence.net/blog/what-a-press-can-add-in-the-age-of-diy-publishing/> [accessed 11 March 2014].

5 The 2014 Research Excellence Framework (REF) replaced the 2008 Research Assessment Exercise (RAE) and is the UK’s national system for assessing the quality of research in the UK’s higher education institutions (including conservatoires). It takes place every six to seven years and is the basis upon which research funding is designated to universities. See Research Excellence Framework <http://www.ref.ac.uk/> [accessed 28 March 2014].

6 Tara McPherson, ‘Introduction: Media Studies and the Digital Humanities’, Cinema Journal, 48.2 (2009). <http://c.ymcdn.com/sites/www.cmstudies.org/resource/resmgr/in_focus_archive/in_focus_48.2.pdf> [accessed 11 March 2014], 119–60 (p. 120).

7 Kathleen Fitzpatrick, ‘What a Press Can Add in the Age of DIY Publishing’, Planned Obsolescence, 21 June 2012 <http://www.plannedobsolescence.net/blog/what-a-press-can-add-in-the-age-of-diy-publishing/> [accessed 11 March 2014].

8 See Theater Historiography, ed. by Henry Bial and Scott Magelssen <http://www.theater-historiography.org/> [accessed 13 March 2014].