Notes
1 Patrice Pavis, ‘Theatre Studies and Interdisciplinarity’, Theatre Research International, 26.2 (2001), 153–63.
2 Homi Bhabha, The Location of Culture (Oxon: Routledge, 1994), p. 163.
3 Ibid.; emphasis in original.
4 Ibid.
5 Jacques Derrida, Writing and Difference, trans. by Alan Bass (London: Routledge, 1978), p. 303.
6 Documenta 11, artistic director Okwui Enwezor, Museum Fridericianum, documenta-Halle, Kulturbahnhof; Balikino, Binding Brewery; Orangerie, Karlsaue, Innenstadt; Nordstadt, 8 June–15 September 2002.
7 Okwui Enwezor, ‘What Is the Avant-Garde Today?’, in Documenta 11 Catalogue (Ostfildern: Hatje Cantz, 2002), p. 45.
8 ‘We’re People Who Do Shows’: Back to Back Theatre — Performance, Politics and Visibility, ed. by Helena Grehan and Peter Eckersall (Aberystwyth: Performance Research Books, 2013).
9 See Marin Blažević, ‘Dramaturgy of Shift(s)(ing)’, Performance Research, 15.2 (2010), 5–11.
10 The Artist’s Body, ed. by Tracey Warr and Amelia Jones (London: Phaidon, 2012). Also see Perform, Repeat, Record: Live Art in History, ed. by Amelia Jones and Adrian Heathfield (Bristol: Intellect, 2012) and A Performance Cosmology: Testimony from the Future, Evidence of the Past, ed. by Judie Christie, Richard Gough, and Daniel Peter Watt (Abingdon: Routledge, 2006) as examples of this trend.
11 Maiike Bleeker, Visuality in the Theatre: The Locus of Looking (Houndmills: Palgrave Macmillan, 2008), p. 2.
12 Ibid.
13 Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship (London: Verso, 2012), p. 3.
14 The 2014 Whitney Biennale featured a programme of live performances including dance, music, and spoken word, see Whitney Museum of American Art, Whitney Biennale 2014 <http://whitney.org/Exhibitions/2014Biennial> [accessed 21 August 2014]. Documenta 13 (2012) included performances by artists such as Jérôme Bel’s Disabled Theater and Critical Art Ensemble, see Documenta 13 <http://d13.documenta.de> [accessed 21 August 2014]. As noted on their website, Melbourne Now (2013–14) ‘celebrates the latest art, architecture, design, performance and cultural practice to reflect the complex cultural landscape of creative Melbourne’, see National Gallery of Victoria, Melbourne Now <www.ngv.vic.gov.au/melbournenow/about-melbourne-now> [accessed 21 August 2014]. 13 Rooms (2013), ‘brings together 13 famous artists and more than 100 performers to present an innovative group exhibition of “living sculpture” within 13 purpose-built rooms’. See Kaldor Public Art Projects, 13 Rooms <http://kaldorartprojects.org.au/13rooms/> [accessed 21 August 2014].