Dramaturgy and Agendas of Change: Tinderbox and the Joint Sectoral Dramaturgy Project

Click to increase image sizeClick to decrease image size

Notes

1. Susan Jonas, Geoff Proehl and Michael Lupu, eds., Dramaturgy in American Theater (New York: Harcourt Brace, 1997), p. vii.

2. Mary Luckhurst, Dramaturgy: A Revolution in Theatre (Cambridge: Cambridge University Press, 2006), p. 263.

3. Cathy Turner and Synne K. Behrndt, Dramaturgy and Performance (Basingstoke: Palgrave, 2008), p. 7.

6. Mark Bly, ed., The Production Notebooks (New York: Theatre Communications Group, 1996), p. xx.

4. See Luckhurst, Dramaturgy, pp. 1–2; Turner and Behrndt, Dramaturgy and Performance, p. 2.

5. Bert Cardullo, What is Dramaturgy? (New York: Peter Lang, 1995), p. i.

7. Luckhurst, Dramaturgy, p. 212.

9. See Dennis C. Beck, ‘Divadlo Na Provazku and Czech Community’, Theatre Journal, 48.4 (Special Issue: ‘Eastern-European Transitions’, 1996), 419–41 (p. 435).

8. See Elzbieta Baniewicz, ‘Theatre's Lean Years in Free Poland’, Theatre Journal, 48.4 (Special Issue: ‘Eastern-European Transitions’, 1996), 461–78 (pp. 462–63).

10. Conversation with Dr Michal Lachmann, University of Lodz, Poland, 10 September 2008.

11. Turner and Behrndt, Dramaturgy and Performance, p. 17.

12. Luckhurst, Dramaturgy, p. 11.

13. Interview with author, Hanna Slättne, Belfast, 24 October 2008.

14. Ibid.

15. ‘Job Description: Literary Manager/Dramaturg’, Tinderbox archives (2004), pp. 1–2.

16. Interview with author, Hanna Slättne, Belfast, 24 October 2008.

19. Interview with author, Michael Duke, Belfast, 21 October 2008.

17. See Luckhurst, Dramaturgy.

18. Interview with author, Hanna Slättne, Belfast, 24 October 2008.

20. ‘Job Description’, p. 1.

24. ‘End of Project Report: Dramaturgy Project 2004–2005’, Tinderbox archives, 2005, p. 5.

21. See ‘Dramaturgy Tender’ document, Tinderbox archives, 2003, p. 1.

22. Ibid., p. 3.

23. ‘Job Description’, p. 2.

28. Ibid., p. 11.

25. Ibid., p. 12.

26. Ibid., p. 7.

27. Ibid., p. 6.

29. Interview with author, Michael Duke, Belfast, 24 October 2008.

30. Ibid.

35. Damian Smyth, ibid., p. 17. JSDP, ‘Report on Year 2 Activities’, Tinderbox archives (May 2007), p. 5.

31. JSDP, ‘Report on Year 2 Activities’, Tinderbox archives (May 2007), p. 5.

32. Ibid., p. 8.

33. Ibid., pp. 10–11.

34. Rachel O'Riordan, ibid., p. 9. JSDP, ‘Report on Year 2 Activities’, Tinderbox archives (May 2007), p. 5.

38. Ibid., p. 20.

36. Ibid., p. 12.

37. Ibid., p. 19.

39. Ibid., p. 20.

43. Ibid., p. 16. ‘A Selection of Comments on the Value of the Dramaturg Post at Tinderbox’, Tinderbox archives (2007), pp. 7 and 9.

40. Ibid., p. 22.

41. ‘A Selection of Comments on the Value of the Dramaturg Post at Tinderbox’, Tinderbox archives (2007), pp. 7 and 9.

42. Jimmy McAleavy, ibid., p. 3. ‘A Selection of Comments on the Value of the Dramaturg Post at Tinderbox’, Tinderbox archives (2007), pp. 7 and 9.

44. Anna Newell, ibid., p. 10. ‘A Selection of Comments on the Value of the Dramaturg Post at Tinderbox’, Tinderbox archives (2007), pp. 7 and 9.