A Review of “Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film before World War II”

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Ryan DeRosa is Visiting Assistant Professor of Film at Ohio University, in the Schools of Film, Interdisciplinary Arts, and African American Studies. He has contributed to the anthology American Cinema and the Southern Imaginary (Georgia University Press). His doctorate is in Cinema Studies from NYU.

Notes

Anna Everett, Returning the Gaze: A Genealogy of Black Film Criticism (Durham: Duke, 2001), 221–222.

Mary Carbine, “‘The Finest Outside the Loop’: Motion Picture Exhibition in Chicago's Black Metropolis, 1905–1928” in Silent Film, ed. Richard Abel (New Brunswick: Rutgers, 1996): 234–262.