870
Views
0
CrossRef citations to date
0
Altmetric
Articles

Digital Film Restoration and the Politics of Whiteness in Peter Jackson’s They Shall Not Grow Old

 

Acknowledgments

I would like to thank Robert Burgoyne, Gary Edgerton, Mary Huelsbeck, Eileen Rositzka, Matthew Bernstein, and the members of my writing group at Emory for their generous feedback on an earlier draft of this essay.

Additional information

Notes on contributors

Tanine Allison

Tanine Allison is an Associate Professor of Film and Media at Emory University and the author of Destructive Sublime: World War II in American Film and Media (Rutgers University Press, 2018). Her essays on war media, visual effects, race, and video games have appeared in New Review of Film and Television Studies, Quarterly Review of Film and Video, Journal of Popular Film and Television, and other journals and anthologies.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.