Acknowledgments
I would like to thank Robert Burgoyne, Gary Edgerton, Mary Huelsbeck, Eileen Rositzka, Matthew Bernstein, and the members of my writing group at Emory for their generous feedback on an earlier draft of this essay.
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Notes on contributors
Tanine Allison
Tanine Allison is an Associate Professor of Film and Media at Emory University and the author of Destructive Sublime: World War II in American Film and Media (Rutgers University Press, 2018). Her essays on war media, visual effects, race, and video games have appeared in New Review of Film and Television Studies, Quarterly Review of Film and Video, Journal of Popular Film and Television, and other journals and anthologies.