Four areas in which scholarship in oral interpretation should concentrate include: (1) the effects of performance on both reader and audience, (2) performance in non‐academic contexts, (3) the functions of nondramatic performance, and (4) the history of performed literature. Specific questions related to each area are raised.
Central States Speech Journal
Volume 32, 1981 - Issue 4
![Sample our Communication Studies journals, sign in here to start your access, 2013 & 2014 volumes FREE to you for 14 days]({"type":"image" , "src" : "/sda/5927/TOC-Subject-Sample-2021-Information-Science2.jpg"})
Reprints and Corporate Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
To request a reprint or corporate permissions for this article, please click on the relevant link below:
Academic Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
Obtain permissions instantly via Rightslink by clicking on the button below:
If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.
Related Research Data
Toward a pleasure‐centered economy: Wondering a feminist aesthetics of performance
Source:
Informa UK Limited
Linking provided by
