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Research Articles

I’d Do Anything for Love: Engaging Local Music Communities to Preserve Texas Music

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Pages 73-90 | Received 15 Jun 2023, Accepted 12 Jan 2024, Published online: 31 Jan 2024
 

ABSTRACT

The Local/Independent Music Initiative of Texas (LIMIT), an ongoing project to collect, preserve, and disseminate music from Texas, meeting a need in the Denton music community. The University of North Texas (UNT) Libraries possess the necessary skills and resources to preserve local music history, including pertinent recordings and archival materials. This study discusses innovative ways of connecting with potential donors through outreach and programming, initially supported by a grant-funded project. The project team actively participated in the local music community, organizing events and attending others, seeking out music for the collection, making connections with potential donors, and championing LIMIT.

Disclosure statement

No potential conflict of interest was reported by the author.

Correction Statement

This article has been corrected with minor changes. These changes do not impact the academic content of the article.

Notes

1. Lionel Beehner, “An Indie Scene That Comes With a Texas Twang in Denton,” New York Times, . https://www.nytimes.com/2008/05/11/travel/11cultured.html May 11, 2008, (accessed April 26, 2023).

2. Rob Curran, “Denton, Slacker Capital of the American Southwest, Grows up,” The Guardian, https://www.theguardian.com/travel/2014/nov/04/denton-texas-us-slacker-capital-grows-up November 4, 2014, (accessed April 26, 2023).

3. Low Power FM radio stations broadcast at 100 Watts, covering an area of approximately 3.5 miles, see “Low Power FM Radio,” https://www.fcc.gov/consumers/guides/low-power-fm-lpfm-radio (accessed June 12, 2023).

4. Pablo Arauz, “Denton Gets a New Radio Station, KUZU 92.9 FM, Thanks to Music Scene Vets,” Dallas Observer, https://www.dallasobserver.com/music/denton-gets-a-new-radio-station-kuzu-929-fm-thanks-to-music-scene-vets-8184094 April 6, 2016, (accessed April 26, 2023).

5. “Denton Music and Arts Collaborative,” https://dmacdenton.org/ (accessed April 26, 2023).

6. E. Dale Odom, “Denton, TX (Denton County),” Handbook of Texas Online, https://www.tshaonline.org/handbook/entries/denton-tx-denton-county (accessed April 26, 2023).

7. “History of Jazz at North Texas,” https://jazz.unt.edu/history (accessed September 5, 2023).

8. “University of North Texas College Of Music,” www.music.unt.edu (accessed April 26, 2023).

9. Jeff Liles, “Echoes and Reverberations: Mad hops and culture jamming on Fry Street.” Dallas Observer, https://www.dallasobserver.com/music/echoes-and-reverberations-mad-chops-and-culture-jamming-on-fry-street-7077744 (accessed April 26, 2023).

10. Michael Seman, “What If Hewlett and Packard Had Started a Band Instead? An Examination of a Music Scene as Economic Cluster.” Artivate 4, no. 2 (2015): 37.

11. John Morthland, “The Denton Dilemma,” Texas Monthly, July 1986, https://www.texasmonthly.com/articles/the-denton-dilemma/ (accessed April 26, 2023).

12. Megan Fraser and Melissa Haley, “Building Punk and Heavy Metal Collections at UCLA Library Special Collections.” In Music Preservation and Archiving Today, eds. Norie Guthrie and Scott Carlson (Lanham, Maryland: Rowman & Littlefield, 2018), 49.

13. Andy Leach and Jennie Thomas, “Preserving Rock and Roll History on the North Coast.” In Music Preservation and Archiving Today, eds. Norie Guthrie and Scott Carlson (Lanham, Maryland: Rowman & Littlefield, 2018), 8; Fraser and Haley, “Building Punk and Heavy Metal Collections,” 49.

14. See “NEO Sound,” https://library.rockhall.com/neosound (accessed April 27, 2023).

15. Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 8.

16. Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 8; Caroline Daniels, Heather Fox, Sarah-Jane Poindexter, and Elizabeth Reilly, “Saving All the Freaks on the Life Raft: Blending Documentation Strategy with Community Engagement to Build a Local Music Archives.” The American Archivist 78, no. 1 (2015): 248; Fraser and Haley, “Building Punk and Heavy Metal Collections,” 48; Michele Casto, Bobbie Dougherty, and Margaret Gilmore, “Spotlight: Punk at the Library.” American Libraries 48, no. 5 (2017): 16.

17. “Library Special Collections Punk Archive,” https://www.library.ucla.edu/collections/library-special-collections-punk-archive/ (accessed April 27, 2023).

18. Fraser and Haley, “Building Punk and Heavy Metal Collections,” 48; Daniels, Fox, Poindexter, and Reilly, “Saving All the Freaks,” 247; Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 9.

19. See Houston Folk Music Archive, https://libguides.rice.edu/houstonfolkmusic (accessed April 27, 2023).

20. Norie Guthrie, “Pushing the Boundaries of Donor Relations to Build the Houston Folk Music Archive.” In Music Preservation and Archiving Today, eds. Norie Guthrie and Scott Carlson (Lanham, Maryland: Rowman & Littlefield, 2018), 27.

21. Daniels, Fox, Poindexter, and Reilly, “Saving All the Freaks,” 256; Fraser and Haley, “Building Punk and Heavy Metal Collections,” 49.

22. Mara Parsello, “The Subculture Archive Manifesto. The Role of Scholars in the Preservation of Subcultural Heritage.” In Keep it Simple, Make it Fast! An approach to underground music scenes 4, eds. Paula Guerra and Thiago Pereira Alberto (Porto, Portugal: Universidade do Porto. Faculdade de Letras, 2019), 80; Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 9.

23. Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 9; Fraser and Haley, “Building Punk and Heavy Metal Collections,” 55.

24. Parsello, “The Subculture Archive Manifesto,” 80–81; Daniels, Fox, Poindexter, and Reilly, “Saving All the Freaks,” 255.

25. Carolyn Doi, “Local Music Collections In Cultural Heritage Institutions.” Fontes Artis Musicae 65, no. 4 (2018): 221.

26. Guthrie, “Pushing the Boundaries of Donor Relations,” 40.

27. Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 9.

28. Daniels, Fox, Poindexter, and Reilly, “Saving All the Freaks,” 255; John R. Davis, “Fill a Void.” Notes (Music Library Association) 76, no. 1 (2019): 20; Fraser and Haley, “Building Punk and Heavy Metal Collections,” 50–51.

29. Daniels, Fox, Poindexter, and Reilly, “Saving All the Freaks,” 255; Davis, “Fill a Void,” 18; Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 8.

30. Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 9.

31. Fraser and Haley, “Building Punk and Heavy Metal Collections,” 51–52.

32. Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 9.

33. See “Louisville Underground Music Archive,” https://library.louisville.edu/archives/luma (accessed April 27, 2023).

34. Daniels, Fox, Poindexter, and Reilly, “Saving All the Freaks,” 250, 255.

35. Michele Casto, Bobbie Dougherty, and Margaret Gilmore, “Spotlight: Punk at the Library,” 16.

36. Leach and Thomas, “Preserving Rock and Roll History on the North Coast,” 11.

37. See the zine from the Library & Archives at the Rock & Roll Hall of Fame, “Preservation: 88 Lines about 44 Techniques,” https://library.rockhall.com/ld.php?content_id=58810489 (accessed April 10, 2023).

38. Fraser and Haley, “Building Punk and Heavy Metal Collections,” 51.

39. “Local/Independent Music Initiative of Texas (LIMIT),” https://library.unt.edu/music/local-independent-music-initiative-texas-limit/ (accessed April 22, 2023).

40. “UNT Policy And Procedure Memorandum. III. B. Music Audio And Video Recordings,” https://library.unt.edu/policies/borrowing-regular-items/#music-audio-and-video-recordings (accessed April 26, 2023).

41. “About us,” https://bandcamp.com/about (accessed May 7, 2021).

42. See the UNT Digital Library, https://digital.library.unt.edu/.

43. See the LIMIT Collection, https://library.unt.edu/music/local-independent-music-initiative-texas-limit/ (accessed April 22, 2023).

44. See the UNT Libraries metadata standards, https://library.unt.edu/digital-projects-unit/metadata/ (accessed April 26, 2023).

45. See the LIMIT Gift Agreement and Digital Rights Agreement Form, https://library.unt.edu/assets/documents/departments/special-libraries/music/limit-gift-agreement-form.pdf (accessed April 19, 2023).

46. See the UNT Digital Library Policies for more information regarding copyright and usage of digital materials, https://digital.library.unt.edu/about/digital-library/policies/ (accessed April 26, 2023).

47. Raina Douris and Kimberly Junod, “Sense of Place: Step inside Dan’s Silverleaf Bar in Denton, Texas,” NPR, https://www.npr.org/2023/04/03/1167823507/sense-of-place-denton-texas-dans-silverleaf-bar (accessed April 4, 2023).

48. Mark McKnight, “University of North Texas Music Library. (Notes for Notes).” Notes (Music Library Association) 74, no. 4 (2018): 606.

49. Sara Button, “Requiem for Rubber Gloves on the Eve of Its Final Shows,” Dallas Observer, https://www.dallasobserver.com/music/requiem-for-rubber-gloves-on-the-eve-of-its-final-shows-8347714 (May 31, 2016, accessed April 26, 2023).

50. Diamond Rodrigue, “Rubber Gloves Bounces Back: Iconic Denton Music Venue Is Reborn; Not Everyone Is Happy,” Dallas Observer, https://www.dallasobserver.com/music/rubber-gloves-rehearsal-studios-in-denton-comes-back-to-a-different-kind-of-life-11723099 August 7, 2019, (accessed April 26, 2023).

51. Sara Outhier, David Huff, Justin Lemons, “Don’t Fence Me In: Engaging Local Music Communities to Preserve Texas Music: Final Report,” https://digital.library.unt.edu/ (accessed April 26, 2023).

52. The author is no longer involved with this project as of February 2020.

53. “Statistics: Local/Independent Music Initiative of Texas,” https://digital.library.unt.edu/explore/collections/LIMIT/stats/ (accessed April 19, 2023).

Additional information

Funding

This work was supported by a Dean of UNT Libraries Innovation Grant.

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