Abstract
This article draws on the complementary processes of writing and photography. A theory and method of instruction employing visual and metacognitive strategies are suggested to aid students in discovering unseen details and meaning when writing descriptive prose.
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Notes on contributors
Vincent Miholic
Vincent Miholic has taught a variety of English and Reading courses at Illinois, Arizona, Florida, and Louisiana colleges and universities and is currently Dean of General Studies at South Louisiana Community College, 908 Ember Dr., New Iberia, 70560, fax 318-373-0187. He would like to thank Richard Lawson (retired) Southern Illinois University-Carbondale, whose teaching fully actualized photographic methodology in literary interpretation.