Semantic Expansions of Ekphrasis

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Notes

1. Quintilian, Instituto Oratoria, trans. H. E. Butler (Cambridge, MA: Harvard University Press, 1976).

2. Homer, Iliad, bk. 18, ll. 478–608.

3. As quoted by Bernhard Scholz, “A Whale That Can’t Be Cotched? On Conceptualizing Ekphrasis,” in Changing Borders: Contemporary Positions in Intermediality, ed. Jens Arvidson, Mikael Askander, Jorgen Bruhn, and Heidrun Fürher (Lund, Sweden: Intermedia Studies Press, 2007), 287.

4. Carl G. Jung, Dreams, trans. R. F. C. Hull (Princeton, NJ: Princeton University Press, 1974), 49.

5. Sigmund Freud, The Interpretation of Dreams, trans. J. Strachey (Harmondsworth, UK: Penguin, 1978), 693.

6. Eli Rozik, Generating Theatre Meaning: A Theory and Methodology of Performance Analysis (Brighton, UK: Sussex Academic Press, 2008).

7. Freud, The Interpretation of Dreams, 113.

8. Cf. Gotthold E. Lessing, Laocoön: An Essay on the Limits of Painting and Poetry, trans. Allen McCormick (Baltimore, MD: Johns Hopkins University Press, 1984), in particular section xvii.

9. Barbetti, Ekphrastic Medieval Visions, 3, 33, 105; cf. Leonardo da Vinci, ‘Paragone,’ ed. and trans. Claire Farago (Leiden: Brill, 1992).

10. Freud, The Interpretation of Dreams, 422.

11. Roland Barthes, “Rhetoric of the Image,” in Image Music Text, trans. S. Heath (London: Fontana, 1977), 50.

12. Rozik, Generating Theatre Meaning, 21–33.

13. Rozik, Generating Theatre Meaning, 23–25; cf. Antonio R. Damasio, Descartes’ Error (New York: Grosset/Putnam, 1994), 89–107; Stephen M. Kosslyn, Image and Brain (Cambridge, MA: MIT Press, 1995), 1–6, and “Introduction,” in The Cognitive Neurosciences, ed. M. S. Gazzaniga (Cambridge, MA: MIT Press, 1996), 959–61.

14. Horace, On the Art of Poetry, in Aristotle, Hoarce, Longinus, trans. T. S. Dorsh (Harmondsworth, UK: Penguin, 1972), 337–65.

15. Cf. Freud, The Interpretation of Dreams, 721.