A Matter of Interactions—Religion and Architectural Modernism, 1945–70: Introduction

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Notes

1. Couturier, “Boundaries,” 150.

2. Bischof, Marie-Alain Couturier; and Caussé, “La critique architecturale,” 27–36.

3. Goldhagen, “Something to Talk About,” 144–67; Goldhagen, “Coda: Reconceptualizing the Modern,” 301–23; and Lu, “Entangled Modernities in Architecture,” 231246.

4. Heynen and Baydar, eds., Negotiating Domesticity; and Schuldenfrei, ed., Atomic Dwelling

5. Avermaete, Another Modern.

6. Gosseye and Heynen, “Designing the Belgian Welfare State,” 557–85.

7. Vidler, Histories of the Immediate Present.

8. Payne, From Ornament to Object; and Papapetros, Animation of the Inorganic.

9. Martin, Curious Visions of Modernity.

10. Riley, Saints of Modern Art; Albrecht, “Research Report,” 251–87; and Zock, ed., At the Crossroads.

11. Birksted, Le Corbusier and the Occult.

12. Solomon, Kahn’s Jewish Architecture.

13. Meyers, “Frank Lloyd Wright,” 24–40.

14. Proctor, “Churches for a Changing Liturgy,” 291–322; Proctor, Building the Modern Church; and Price, Temples for a Modern God.

15. Gräb, Herrman, and Kulbarsch, eds., Asthetik und Religion.

16. Debuyst, Le renouveau de l’art; and Mennekes, “Between Doubt and Rapture,” 165–83.

17. Schmied, ed., Zeichen des Glaubens; Mädler, “Direktiven – Perspektiven,” 18–34; and Schloeder, Architecture in Communion.

18. Ifversen, “About Key Concepts,” 65–88; and Kuukkanen, “Making Sense,” 351–72.

19. Brown, “The Secularisation Decade,” 29–47.

20. Tiryaakian, “Dialectics of Modernity,” 78–94; Besecke, “Speaking of Meaning,” 365–81; Therborn, “Entangled Modernities,” 293–306; and Saler, “Modernity and Enchantment,” 692–716.

21. Mettepenningen, “‘Nouvelle Théologie’,” 172–84.

22. Hejduk and Williamson, eds., The Religious Imagination; and Barth, “Religion und ästhetische Erfahrung,” 103–26.

23. Otero-Pailos, Architecture’s Historical Turn.