Abstract
Schindler, Morphed into John Quincy Adams, Rescues Africans‐A Retrograde Film Denies Black Agency and Intelligence, Misses What Really Happened, and Returns to the Conservative Themes of the Fifties; with an Account of What Really Happened, and a Few Words Ahout Abolitionists as Fanatics
Notes
With apologies to Vincent Harding's excellent essay, “You've Taken My Nat and Gone,” in John Henrik Clarke, ed., William Styron ‘s Nat Turner: Ten Black Writers Respond (Boston, 1968), pp. 22–33. Harding, in turn, quotes Langston Hughes: “You've taken my blues and gone” (ibid., p. 32).