Notes
4 Rosen, “The Abused Landscape,” 24.
6 On urbanization in Israel as it is reflected in the works of local photographers, see also CitationZeevi, Marah ironit.
7 On this body of work, see also CitationHaikin, Igael Shemtov, 206–9.
10 The body of work represents a continuation of Orit Siman-Tov's occupation with archaeological sites and with the burden created by the past when it imposes itself on the present. See CitationMaimon, “Merhav mehiyah.”
Maor
,
Haim
.
2003
.
Marked Landscapes: “Landscape-Place” in Contemporary Israeli Art
,
Beer Sheva
:
Ben-Gurion University of the Negev, Avraham Baron Art Gallery
.
Rosen
,
Jochai
.
2007
.
The Abused Landscape: The Works of Young Israeli Photographers
.
Afterimage: The Journal of Media Arts and Cultural Criticism
,
35
(
1
)
:
23
–
27
.
Raz
,
Guy
.
2005
.
“
Only What His Eye Took In: A Comment on Local Landscape Photography
”
. In
Framed Landscapes: A Comment on Local Landscape Photography (exhibition catalogue)
,
33
–
44
.
Haifa
:
University of Haifa Art Gallery
.
Sela
,
Rona
.
1995
.
“
Emptied Walls and Constructed Landscapes
”
. In
Gilad Ophir: Cyclopean Walls (exhibition catalogue) [unpaginated]
,
Tel Aviv
:
Tel Aviv Museum of Art
.
Zeevi
,
Ofer
.
1999
.
Marah ironit: Hishtakfut ha-ir be-adashat ha-matzlemah [Urban mirror: Reflections of the city in the camera's lens]
,
Ein Hod
:
Janco Dada Museum
.
Haikin
,
Naama
.
2009
.
Igael Shemtov: Purposeless Functions
,
Tel Hai
:
Open Museum of Photography
.
Haikin
,
Naama
.
2004
.
“
A General Look at Repressed Landscape
”
. In
Yaakov Israel: A Repressed Landscape (exhibition catalogue)
,
36
–
37
.
Tel Hai
:
Open Museum of Photography
.
Ben-Dov
,
Eyal
.
2004
.
“
Earthly Jerusalem
”
. In
Yaakov Israel: A Repressed Landscape (exhibition catalogue)
,
34
–
35
.
Tel Hai
:
Open Museum of Photography
.
Maimon
,
Vered
.
1998
.
“
Merhav mehiyah: Rahok karov
”
. In
Rahok karov [Distant near] (exhibition catalogue) [unpaginated]
,
Herzliya
:
Museum for Contemporary Art
.
[Living space: Distant near]