To Not Happen

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Notes

¹ The words are from a lecture given by Foucault in 1971 and quoted from Giorgio Agamben, ‘The Author as Gesture’, in Profanations, trans. Jeff Fort (New York: Zone Books, 2007), p.63.

² Michel Foucault, The Order of Things (London: Tavistock Publications, 1974), p.9.

³ Gilles Deleuze, Foucault, trans. Seán Hand (London: The Athlone Press, 1999), p.61.

⁴ Maurice Blanchot, ‘Speaking Is Not Seeing’, in The Infinite Conversation, trans. Susan Hanson (Minneapolis: University of Minnesota Press, 1993), p.29.

⁵ Maurice Blanchot, ‘Speaking Is Not Seeing’, p.27.

⁶ Quoted from Gilles Deleuze, Foucault, p.66.

⁷ Michel Foucault, This Is Not a Pipe, trans. James Harkness (Berkley and London: University of California Press, 1983), p.19.

⁸ Michel Foucault, This Is Not a Pipe, p.28.

⁹ For more on the example see my Passionate Being: Language, Singularity and Perseverance (London and New York: I.B.Tauris, forthcoming 2009).

¹⁰ Giorgio Agamben, Infancy and History: The Destruction of Experience, trans. Liz Heron (London and New York: Verso, 2007), pp.3-4.

¹¹ Giorgio Agamben, Infancy and History, p.4.

¹² Giorgio Agamben, Language and Death: The Place of Negativity, trans. Karen E. Pinkus and Michael Hardt (Minneapolis: University of Minnesota Press, 1991), p.107.

¹³ Giorgio Agamben, ‘Pascoli and the Thought of the Voice’, in The End of The Poem: Studies in Poetics, trans. Daniel Heller-Roazen (Stanford: Stanford University Press, 1999), p.69.

¹⁴ Giorgio Agamben, Language and Death, p.35.

¹⁵ Giorgio Agamben, Language and Death, p.84.

¹⁶ Giorgio Agamben, Language and Death, p.84.

¹⁷ Giorgio Agamben, Language and Death, p.92.

¹⁸ Giorgio Agamben, ‘The Idea of Language’, in Potentialities: Collected Essays in Philosophy, trans. Daniel Heller-Roazen (Stanford: Stanford University Press, 1999), p.47.

¹⁹ Giorgio Agamben, ‘The Idea of Language’, p.45.

²⁰ Giorgio Agamben, Language and Death, p.91.

²¹ Giorgio Agamben, Language and Death, p.91.

²² Giorgio Agamben, Language and Death, p.95.

²³ Giorgio Agamben, Remenants of Auschwitz: The Witness and the Archive, trans. Daniel Heller-Roazen (New York: Zone Books, 2002), p.156.

²⁴ See Giorgio Agamben, Remenants of Auschwitz, p.155.

²⁵ Giorgio Agamben, ‘The Dictation of Poetry’, in The End of The Poem: Studies in Poetics, trans. Daniel Heller-Roazen (Stanford: Stanford University Press, 1999).

²⁶ Giorgio Agamben, ‘The Dictation of Poetry’, p.85.

²⁷ Gilles Deleuze, ‘What Voice Brings to the Text’, in Two Regimes of Madness, trans. Ames Hodges and Mike Taormina (New York: Semiotext(e), 2006), p.325-26.

²⁸ Walter Benjamin, ‘What is Epic Theatre? [First version]’, in Understanding Brecht, trans. Anna Bostock (London: New Left Books, 1973), p.3.

²⁹ Walter Benjamin, ‘What is Epic Theatre? [First version]’, p.5.

³⁰ Walter Benjamin, ‘What is Epic Theatre? [Second version]’, in Understanding Brecht, trans. Anna Bostock (London: New Left Books, 1973), p.19.

³¹ Walter Benjamin, ‘The Author as Producer’, in Understanding Brecht, trans. Anna Bostock (London: New Left Books, 1973), p.101.

³² Giorgio Agamben, ‘Notes on Gesture’, in Means without End, trans. Vincenzo Binetti and Cesare Casarino, Theory out of bounds, vol. 20 (Minneapolis: University of Minnesota Press, 2000), p.58.

³³ Giorgio Agamben, ‘The Author as Gesture’, p.61.

³⁴ Giorgio Agamben, ‘The Author as Gesture’, p.64.

³⁵ Giorgio Agamben, ‘The Author as Gesture’, p.64

³⁶ See Giorgio Agamben, ‘Notes on Gesture’, pp.56-59.

³⁷ Giorgio Agamben, ‘The Author as Gesture’, p.69.

³⁸ See Giles Deleuze, ‘A Portrait of Foucault’, Negotiations, trans. Martin Joughin (New York: Columbia University Press, 1995), p.113.

³⁹ Gilles Deleuze, ‘A Portrait of Foucault’, pp.113-14.

⁴⁰ Giorgio Agamben, ‘The Author as Gesture’, p.72.

⁴¹ Giorgio Agamben, ‘The Author as Gesture’, p.72.

⁴² Giorgio Agamben, ‘The Author as Gesture’, p.72.