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Original Articles

The Aerial Image: Vertigo, Transparency and Miniaturization

Pages 83-93 | Published online: 21 Oct 2009
 

Notes

1 < http://news.bbc.co.uk/2/hi/uk_news/england/2145305.stm> [08/04/2009]. Deyan Sudjic, ‘A Thoroughly Modernising Mayor’, The Observer, Sunday 8 July 2001, < www.guardian.co.uk/education/2001/jul/08/arts.highereducation> [08/04/2009].

2 Norman Foster, Rebuilding the Reichstag (London: Weidenfeld & Nicolson, 1999), p.111.

3 Gregg Lambert, The Return of the Baroque in Modern Culture (London and New York: Continuum, 2004), p.4.

4 < www.fosterandpartners.com/Projects/1027/Default.aspx> [08/04/2009]. Robert Booth, ‘Halls of Shame: Biggest CO2 Offenders Unveiled’, The Guardian, Thursday 2 October 2008, < www.guardian.co.uk/environment/2008/oct/02/carbonemissions.greenbuilding> [08/04/2009]. City Hall was rated E for carbon emissions on a scale of A to G, where A is the least polluting and G is the highest.

8 Vladimir Nabokov, Transparent Things (Harmondsworth: Penguin, 1975), p.7.

9 Vladimir Nabokov, Transparent Things, p.13.

10 Vladimir Nabokov, Transparent Things, p.14.

11 Immanuel Kant, The Critique of Judgement (Oxford: Clarendon, 1978), p.109 (§27), 111 (§28).

12 Simon Grimble, ‘Somewhere to Stand: Descriptive Writing and Cultural Criticism in Iain Sinclair's Lights Out for the Territory’, in Deterritorialisations … Revisioning Landscapes and Politics, eds Mark Dorrian and Gillian Rose (London: Black Dog Publishing, 2003), p.175.

13 Barbara Goodwin, ‘The Vertigo of Facts: Literary Accounts of a Philosophical Dilemma’, The British Journal of Aesthetics, 18:3 (1978), p.273.

14 W.G. Sebald, Vertigo (London: Vintage, 2002), p.8.

15 James Chandler, ‘About Loss: W.G. Sebald's Romantic Art of Memory’, The South Atlantic Quarterly, 102:1 (Winter 2003), p.245.

16 Dan Auiler, Vertigo: the Making of a Hitchcock Classic (London: Titan Books, 1999), p.30.

17 Claude Lévi-Strauss, The Savage Mind (London: Weidenfeld & Nicolson, 1972), p.23.

18 Antoine de Saint-Exupéry, Flight to Arras (London and Toronto: Heinemann, 1942), p.117.

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