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Notes
1 Foucault, Qu’est-ce que la critique?, 81–109.
2 Ibid., 81–84.
3 Ibid., 93. On Foucault’s explicit distanciation of his rearticulation of the Greco-Roman epimeleia heautou or care of the self, and what an interlocutor called Californian-style hedonism, see Ibid., 153–187.
4 Afary and Anderson, Foucault and the Iranian Revolution, 3.
5 Ibid., 2.
6 Foucault discusses Jean Daniel’s L’Ère des ruptures (1979) in ‘For an Ethics of Discomfort’, trans. Lysa Hochroth, in The Politics of Truth, 121–128.
7 Butler, Notes, 164–166.
8 Badiou, The Rebirth of History, 54.
9 See Ibid., 56, 60.
10 Lyotard, L’enthousiasme, 57–67.
11 Leiris, “L’ethnographe,” 84, 95, 112.
12 De Certeau, La possession, 216.
13 Ghamari-Tabrizi, Foucault in Iran, 183.
14 Foucault, Qu’est-ce que la critique?, 33, 36–37.
15 Foucault, “La scène de la philosophie,” 571–572.
16 See Afary and Anderson, ‘Revisiting Foucault and the Iranian Revolution’.
17 Said, “Michel Foucault.”
18 Ghamari-Tabrizi, Foucault in Iran, 174.
19 Foucault, Qu’est-ce que la critique?, 51, 57–58.
20 Ibid., 39.
21 Ibid., 54, 57.
22 Butler, “What is Critique?”
23 Ibid.; see Foucault, Qu’est-ce que la critique?, 81–109
24 Foucault, “Theatrum Philosophicum.”
25 Foucault, “Nietzsche, Genealogy, History,” 372, 376.
26 Butler and Athanasiou, Dispossession, 177.
27 Foucault, “The Masked Philosopher,” 321.
28 Ibid., 327.
29 Foucault, L’archéologie, 11.
30 Balme, The Theatrical Public Sphere, 32–36.
31 Gotman, “Foucault, Oedipus, Négritude.”
32 Butler, “What Is Critique?”
33 Ghamari-Tabrizi, Foucault in Iran, 163.
34 Ibid., 159–162.
35 Foucault, “The Masked Philosopher,” qtd. in Ghamari-Tabrizi, Foucault in Iran, 162.
36 See Foucault, History of Madness, xxxiii, xxxvii-xxxix.
37 Ghamari-Tabrizi, Foucault in Iran, 187.
38 Ibid., 188–192.
39 Foucault, Qu’est-ce que la critique?, 73–74n12.
40 Foucault, Le courage de la vérité, 4–5.
41 Ibid., 14.
42 Foucault, “Nietzsche, Genealogy, History,” 373.
Additional information
Notes on contributors
Kélina Gotman
Kélina Gotman is currently Lecturer in Theatre and Performance Studies in the Department of English at King’s College London. She has taught cultural and critical theory, writing, comparative literature and performance history and theory at Columbia University, Bard College and the Eugene Lang College for Liberal Arts at The New School. She is author of Choreomania: Dance and Disorder (Studies in Dance Theory, Oxford University Press, 2018) and Essays on Theatre and Change: Towards a Poetics Of (Routledge, 2018), as well as co-editor with Tony Fisher of Theatre, Performance, Foucault! (Manchester University Press, forthcoming 2019). She has contributed articles and chapters on disciplines and institutions, dance history and theory, archives, and writing to Performance Research, Textual Practice, SubStance, About Performance, Choreographic Practices, Performance Philosophy, among others, and various edited collections. She is translator of Félix Guattari’s The Anti-Oedipus Papers (Semiotext(e)/MIT Press, 2006), and numerous articles and plays, including most recently Marie NDiaye’s Les Serpents (The Snakes, Cue Press, 2017). She has collaborated widely on dance-theatre productions across Europe and North America. Email: [email protected].