Myth, magic and religion in secular literature: The Canadian case

Abstract

Investigation of culturally significant English‐Canadian literature suggests a pervasive and persistent preoccupation with the themes of personal, collective and national identity. Detailed exploration of Canadian writers’ treatment of these topics reveals the presence, not only of familiar Judaeo‐Christian elements, but of a pantheon of exotic hidden gods and bizarre supernatural phenomena. It is evident that, to a remarkable degree, Canadian novelists, poets and critics are preoccupied with the sacred and supernatural. Discerning signals of transcendence in a wide variety of unconventional contexts, they encounter the ultimate in the mysterious depths of personal experience no less than in the cold indifference of nature. The self‐definition of Canadian literati in terms more commonly applied to religious virtuosi raises the familiar theme of aesthetes and intellectuals as the contemporary heirs of the priests and prophets of the past. This insight, in turn, suggests a potentially profitable research project linking the Sociology of Religion with the growing field of Cultural Studies.