Notes
1 The same view is supported by Michael Walter who authored the book's entry ‘Nabucodonosor’ (Citation2013, 354). The most influential work questioning the myths around Nabucco is Parker (Citation1997). Some of the arguments on the other side of the spectrum are summarized in Gossett (Citation2008).
2 For a critical debate of this aspect of Banti's argument see Körner (Citation2009).
3 For information on Verdi's library see Petrobelli (Citation2000, 215 ff.).
4 English translation by Elisabeth Abbot (1993).
5 See also the recent conference at Villa Vigoni, ‘Compositori d'opera e stratificazione sociale: il ruolo della nobiltà nell'Ottocento europeo’ (http://www.villavigoni.it/contents/events/Vigoni_ProgrammaDEF.pdf).
Walter, Michael
. 2013. “Nabucodonosor.” In Verdi Handbuch, edited by
Anslem
Gerhard
and
Uwe
Schweikert
, 54–74. Stuttgart: Metzlersche Verlagsbuchhandlung.
Parker, Roger
. 1997. ‘Arpa d'or dei fatidici vati’. The Verdian Patriotic Chorus in the 1840s. Parma: Istituto Nazionale di Studi Verdiani.
Gossett, Philip
. 2008. Divas and Scholars: Performing Italian Opera. Chicago, IL: University of Chicago Press.
Körner, Axel
. 2009. “The Risorgimento's Literary Canon and the Aesthetics of Reception: Some Methodological Considerations.” Nations and Nationalism
15 (3): 410–418.
Petrobelli, Pierluigi
. 2000. “De l'alexandrin à l'anpeste chez Verdi. Structure poétique et composition musical dans Un ballo in maschera.” In L'opéra en France et en Italie (1791–1925). Une scène privilégiée d'échanges littéraires et musicaux. Actes du colloque franco-italien tenu à l'Académie Musicale de Villecroze (16–18 Octobre 1997), edited by
Hervé
Lacombe
, 215–222. Paris: Société Française de Musicologie.