POINTS AND PRACTICES

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Notes

1. Notable examples include Steve Dixon's Chameleons (1995, 1999), Ali Hodge and Peter Hulton's Hidden Territories (in Staniewski & Hodge, 2003) and Baz Kershaw and PARIP's Mnemosyne Dreams (2004).

2. Thanks to Baz Kershaw for stimulating ideas on supplementarity and allotment-residing discs.

3. That is, art that is embodied in itself and cannot be re-interpreted or replicated. It is art where ‘even the most exact duplication of it does not thereby count as genuine’ (Goodman, 1976, p. 113).

4. Robin Nelson, Manchester Metropolitan University, has coined the phrase ‘complementary writing’ as a way of contributing to hard outcomes (Nelson, 2004). For some time, I have used ‘complementary annotation’ as a way of emphasising the interaction between the adjunct and the original.