A CAMERA WITH A VIEW JenniCAM, visual representation, and cyborg subjectivity

Abstract

Hailed as the originator of the digital camera 'homecam' phenomenon, Jennifer Ringley has garnered national media attention for her website, JenniCAM (Ringley 1998c), which offers viewers a constant window into the bedroom of a young woman through internet technology. Using the JenniCAM website as my primary text, I examine how Jenni integrates flesh and machine in the formation and display of a cyborg subjectivity, a hybridized identity (re)presented through the new technology of the digital camera. Towards that end I use feminist film theory to demonstrate how the construction and display of the female body-via the medium of digital camera-transforms our readings of gendered bodies as sites of knowledge production and pleasure. I assert that JenniCAM, a cyborg subject created through the integration of the electronic image and the internet, exposes more than just flesh. JenniCAM reveals cultural tensions surrounding epistemological conceptions of vision, gender, and identity and raises questions for future conversations regarding the role of technology in the representation and construction of gendered subjects.

Keywords:

• Jennicam
• Digital Camera
• Cyborg
• Subjectivity
• Gender