Acknowledgements
The author would like to warmly thank Brian Loader and Natalie Fenton, who co-organized the conference and without whom this would not have been possible.
Disclosure statement
No potential conflict of interest was reported by the author.
Funding
The conference from which this special issue emerged, Streets to screens: Mediating conflict through digital networks, was funded by the British Academy and the Centre for the Study of Global Media and Democracy, Goldsmiths, University of London.
Notes on contributor
Holly Steel is a doctoral researcher in the Department of Sociology, University of York. Her research is on social media curation, conflicts and the news. [email: [email protected]]
Notes
1. Here conflict is understood as concerning various forms of sustained political violence, including but not limited to war, civil war, protest and large-scale violations of human rights.
2. This visibility is shaped by existing digital divides and geo-political hierarchies, and should be understood as unevenly distributed.