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Journal of African Cultural Studies Volume 26, 2014 - Issue 3

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Visual century: South African art in context 1907–2007

Annie E. CoombesCorrespondence[email protected]

Pages 366-369 | Published online: 11 Aug 2014

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https://doi.org/10.1080/13696815.2014.929003
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Notes

1 Miles (Citation1994); Miles (Citation1997); Berman (Citation1970); Berman (Citation1974). See also de Jager (Citation1973). De Jager was an anthropologist at Fort Hare University whose idiosyncratic but influential theories about South African art are discussed by Van Robbroeck in Chapter 4, Volume 2. Other notable early studies include Spiro (Citation1989); Lindop (Citation1988); Manganyi (Citation1990); Sack (Citation1988); and Williamson (Citation1989).

2 Hobbs and Rankin, Rorkes’ Drift.

3 Sahlins (Citation1999, 410), cited in Klopper, 138.

Miles, Elza. 1994. Lifeline Out of Africa: The Art of Ernest Mancoba. Cape Town: Human and Rousseau.

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Miles, E. 1997. Land and Lives: A Story of Early Black Artists. Cape Town: Human and Rousseau.

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Berman, Esme. 1970. Art and Artists of South Africa. An Illustrated Biographical Dictionary and Historical Survey of Painters, Sculptors and Graphic Artists Since 1875. Cape Town: Balkema.

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Berman, E. 1974. The Story of South African Painting. Cape Town.

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de Jager, Eddie J. 1973. Contemporary African Art in South Africa. Cape Town: Struik.

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Spiro, Lesley. 1989. Gerard Sekoto: Unsevered Ties. Johannesburg: Johannesburg Art Gallery.

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Lindop, Barbara. 1988. Gerard Sekoto. Randburg: Dictum.

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Manganyi, Chabani. 1990. A Black Man Called Sekoto. Johannesburg: Wits University Press.

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Sack, Steven. 1988. The Neglected Tradition: Towards a New History of South African Art. Johannesburg: Johannesburg Art Gallery.

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Williamson, Sue. 1989. Resistance Art in South Africa. Cape Town: David Philip Publishers.

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Sahlins, Marshall. 1999. “Two or Three Things I Know About Culture.” Journal of the Royal Anthropological Institute (N.S.) 5: 399–421. doi: 10.2307/2661275

Web of Science ®Google Scholar

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