Murujuga Marni: Rock Art of the Macropod Hunters and Mollusc Harvesters, by Ken Mulvaney

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Notes

1. Tim Lesley, ‘Push on to Protect Australia's Rare Rock Art’ ABC News, 28 May 2012. http://www.abc.net.au/news/2012-05-24/push-on-to-protect-australia27s-rare-rock-art/4031154 (accessed August 2016). Professor Paul Taçon is Chair of Rock Art Research, Professor of Archaeology and Anthropology and Director of the Place, Evolution and Rock Art Heritage Unit (PERAHU) at Griffith University.

2. See Susan Lowish, ‘Rock Art and Art History: Exploring Disciplinary Perspectives’, Rock Art Research 32, no. 1 (2015): 63–75.

3. Patrick Wolfe ‘Settler Colonialism and the Elimination of the Native’, Journal of Genocide Research 8, no. 4, (2006): 387–403.

4. Victoria Laurie, ‘Sacred Sites may keep Protection,’ The Australian, 1 April 2015, http://www.theaustralian.com.au/national-affairs/indigenous/sacred-sites-may-keep-protection/news-story/98584d5c018c90f48f68ee8d974b3ee6

5. Robert Gosford, ‘“Speaking with One Voice” – WA's Changes to Aboriginal Heritage Law Rejected at Bush Meetings – The Northern Myth’, Crikey; September 2014, Law Section. https://blogs.crikey.com.au/northern/2014/09/30/speaking-with-one-voice-was-changes-to-aboriginal-heritage-law-rejected-at-bush-meetings/ (accessed August 2016). See also Marcus Strom’, Australia's “Most Significant Site” kept off UNESCO's World Heritage List’, The Armidale Express, 13 February 2017, Life & Style/Technology Section, http://www.armidaleexpress.com.au/story/4465404/australias-most-significant-site-kept-off-unescos-world-heritage-list/ (accessed March 2017).

6. ‘Emeritus Professor John Mulvaney AO CMG (1925–)’, Australian Archaeological Society. http://www.australianarchaeologicalassociation.com.au/wp-content/uploads/2011/10/john_mulvaney.jpg[/imageright (accessed August 2016).

7. Ken Mulvaney, Murujuga Marni: Rock Art of the Macropod Hunters and Mollusc Harvesters (Crawley: UWA Publishing CRAR + M Monograph Series, 2015), 288.

8. Patrick Wolfe, ‘Settler Colonialism’, 387.

9. Ibid., 403.

10. José Antonio Gonzàlez Zarandona ‘Towards a Theory of Landscape Iconoclasm’, Cambridge Archaeological Journal 25 (2015), 461–75.

11. Nicholas Chare, ‘Writing Perceptions: The Matter of Words and the Rollright Stones’, Art History 34, no. 2 (2011), 244–67; Ellen Dissanayake, Art and Intimacy: How the Arts Began (University of Washington Press, Seattle and London, 2000), 113.