Note on contributor
Joel Neville Anderson is a PhD Candidate in Visual and Cultural Studies at the University of Rochester working at the intersection of personal documentary and social justice. His writing has been featured in scholarly journals, anthologies and magazines including Millennium Film Journal, Hyperallergic, Film on the Faultline, InVisible Culture: An Electronic Journal for Visual Culture, Screen Slate and the Directory of World Cinema. He also curates “JAPAN CUTS: Festival of New Japanese Film” at Japan Society in New York.