Two Women Painters from the Late Renaissance

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Notes

1 M. Kusche, Retratos y retratadores: Alonso Sánchez Coello y sus competidores Sofonisba Anguissola, Jorge de la Rúa y Rolán Moys (Madrid, 2003).

2 For these recent investigations directed by Hilary Macartney and Mark Richter, University of Glasgow, see the blog, Unwrapping an Icon: https://unwrappinganicon.com.

Additional information

Notes on contributors

Annemarie Jordan Gschwend

Annemarie Jordan Gschwend

Annemarie Jordan Gschwend is a Research Scholar with the Centro de Humanidades (CHAM) in Lisbon and Zurich. She obtained her PhD in 1994 from Brown University. Her areas of specialization: patronage, collecting and Kunstkammers at the Renaissance courts in Spain, Portugal, Austria and the Spanish Netherlands. Her books include: Retrato de Corte em Portugal. O legado de António Moro (1552–1572) (1994), The Story of Süleyman. Celebrity Elephants and other Exotica in Renaissance Portugal (2010), and Catarina de Áustria. A rainha colecionadora (2017). She is co-editor (with Kate Lowe) of the recent award-winning book, The Global City. On the streets of Renaissance Lisbon (2015). She co-curated with Lowe A Cidade Global. Lisboa no Renascimento | The Global City. Lisbon in the Renaissance, at the Museu Nacional de Arte Antiga, Lisbon (2017), and with Dagmar Eichberger Women. The Art of Power. Three Women from the House of Habsburg, at Schloss Ambras, Innsbruck (2018).