Redesigning, Reinterpreting and Revisiting London’s National Portrait Gallery

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Notes

1 For further discussion on Mary and Philip’s joint-monarchy, see Gonzalo Velasco Berenguer, Habsburg England: Politics and Religion in the Reign of Philip I (1554–1558) (Leiden, 2023).

2 Label Text, ‘Louise de Kéroualle, Duchess of Portsmouth (1649–1734) with an unknown girl’, National Portrait Gallery, London, visited 16 July 2023.

3 Label Text, ‘Louise de Kéroualle, Duchess of Portsmouth’, Tudors to Windsors: British Royal Portraits, National Maritime Museum, London, visited 26 July 2021.

Additional information

Notes on contributors

Johanna C. E. Strong

Johanna C. E. Strong

Johanna C. E. Strong is an independent scholar and a teacher of history. Her research on Mary I’s legacy has appeared on various platforms, including on the ‘Team Queens’ and ‘Tudors Dynasty’ blogs and on a variety of podcasts. Her first academic chapter was published in early 2022 in Valerie Schutte and Jessica S. Hower’s Writing Mary I: History, Historiography, and Fiction, and her review of The House of Dudley recently appeared in the Royal Studies Journal. She is currently co-editing a Royal Studies Journal cluster with Amy Saunders.

Amy Saunders

Amy Saunders

Amy Saunders has recently submitted her PhD at the University of Winchester where her research examines reconstructions of early modern royal narratives in heritage sites. Her research interests include early modern history, heritage and museums studies, representation and memory, gender, sexuality, confessional and foreign identity, conflict, and colonialism. Amy’s article examining Christina of Sweden in heritage and fiction is available open access via the Royal Studies Journal and she is currently working towards a number of publications, including a co-authored article cluster with Johanna C. E. Strong.