Abstract
According to the formant centre of gravity (FCOG) hypothesis, two vowel formants in close proximity are merged during perceptual analysis, and their contribution to vowel quality depends on the centre of gravity of the formant cluster. Findings consistent with this hypothesis are that two formants can be replaced by a single formant of intermediate centre frequency, provided their separation is less than 3-3.5 Bark; and that changes in their relative amplitudes produce systematic shifts in vowel quality. In Experiment 1, listeners adjusted the frequencies of F1 and F2 in a synthesized 6-formant vowel (with the F1-F2 separation fixed at 250 Hz, i.e. less than 3 Bark) to find the best phonetic match to a reference vowel with modified formant amplitudes. Contrary to FCOG predictions, F2 attenuation did not produce lower frequency matches. Raising the amplitude of F2 led to predicted upward shifts in formant frequencies of the matched vowel, but with increased variability of matches for some stimuli. In Experiment 2, listeners identified synthesized vowels with a range of separations of F1 and F2. Formant amplitude manipulations had no effect on listeners' judgements when the fundamental frequency was low (125 Hz). Small shifts in vowel quality appeared for stimuli with a high fundamental (250 Hz), but the shifts were significantly larger for F1–F2 separations greater than 3.5 Bark. These effects of formant amplitude are qualitatively different from those observed with single-formant vowels and are generally incompatible with a formant-averaging mechanism.
