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Original Articles

“Death as Life”: Political metaphor in the testimonial prison literature of Kanno Suga

Pages 3-12 | Published online: 06 Mar 2020

Abstract

This essay argues that what most clearly reveals Kanno Suga's last texts to be “resistance literature” was her use of figurative language to express the idea that death is life. In the prison diary and letters she wrote in the week before her execution for treason, Kanno repeatedly used metaphors of regeneration in connection with her faith in the revolutionary immortality she and her co-defendants would be accorded and in the ultimate victory of Truth and the anarchist Cause. Appearances notwithstanding, the Japanese state had only won this round of the fight. This essay also reflects upon the plural nature of Kanno's resistance whereby in these late texts, in effect, she practiced a subversion of more than one social institution. Attributing to Kanno a subversion of literary canons as well, the author situates the prison diary within a transnational “out-law” genre of autobiography described today as “testimonio” (testimonial literature).

Kanno Suga (1881–1911) achieved the dubious distinction of being the first female political prisoner in Japan's modern history to be executed. She was the one woman among twenty-four Meiji socialists to be sentenced to death early in 1911 for her involvement in a conspiracy to assassinate the emperor. Yet Kanno Suga is noteworthy for reasons other than for her role in the so-called Meiji High Treason Incident. As one of Japan's first feminists and also one of its first female journalists, she played an active role in various social movements in the Meiji era (1868–1912). Any one of these factors would qualify Kanno as a significant historical figure. Historians of Japan, however, have long tended either to ignore her or to focus their attention on her love life. Doubtless some have seen her as merely the “other half” of the “more important” anarchist theorist Kotoku Shusui, while others have apparently concluded that her romantic involvements are the most noteworthy features of her life. The fact that even works of women's history published in Japan seem preoccupied with Kanno Suga's romantic involvements suggests that it has not only been “within mainstream U.S. feminism [that] the good insistence that ‘the personal is political’ often transformed itself into something like ‘only the personal is political’.”

Notes

Because some scholars refer to Kanno as “Kanno Suga” and others as “Sugako,” I should explain in advance that her legal given name was “Suga,” though she often used “Sugako” or other pen names when earlier she worked as a journalist.

The defendants were found guilty as charged for their intent, not for an actual attempt. Twelve of those sentenced to death on 18 January 1911 had their sentences reduced to life imprisonment a few days later. On the Meiji High Treason Incident, see John Crump, The Origins of Socialist Thought in Japan (London and Canberra: Croom Helm, 1983), and Shiota Shobei and Watanabe Junzo, eds., Hiroku Taigyaku Jiken (The High Treason Incident: Confidential documents), 2 vols. (Tokyo: Shunjusha, 1959); and on Kanno Suga, see Itoya Toshio, Kanno Suga: Heiminsha no Fujin Kakumeika Zo (Kanno Suga: Portrait of a woman revolutionary of the Commoners Society) (Tokyo: Iwanami Shinsho, 1970).

Gayatri Chakarovorty Spivak, “In a Word: Interview” (with Ellen Rooney), in Outside in the Teaching Machine (New York and London: Routledge, 1993), p. 4.I would think that this focus on the personal-political has been a common tendency in metropolitan feminism elsewhere as well. In Japan, however, it has applied to many works on Kanno from the 1960s until recently: Setouchi Harumi, “Kanno Sugako: Koi to Kakumei ni Junjita Meiji no Onna (Bijoden daikyuwa)” (Kanno Sugako: The woman who sacrificed herself for love and revolution [Biographies of beautiful women]), Chuo Koron 80, no. 9 (September 1965): 291-301; and Suzuku Yuko, ed., Shiso no Kai e (Kaiho to kakumei), 21, Josei—Hangyaku to Kakumei to Teiko to (Into the sea of ideas: Liberation and revolution. Vol. 21, Women: Rebellion, revolution, and resistance) (Tokyo, ShakaiHyoronsha, 1990),Part3 on Kanno Sugaand Kaneko Fumiko is entitled “Hangyaku to Ai to” (Treason and love), pp. 30-52.

References

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