Evelyn Preer and Black female stardom in the silent film era

ABSTRACT

Evelyn Preer was an African American stage and film performer who achieved popularity in late 1920s. Before her untimely death in 1932, at the age of 36, Preer starred in 16 films, most of which were directed and produced by a prolific Black filmmaker Oscar Micheaux. Although a potent symbol in Black domain, her status as a screen star remained largely unexamined by contemporary white critics. Instead, the popular press concentrated on stage performances, such as Preer’s titular role in Broadway adaptation of Oscar Wilde’s Salomé. This article examines the debates that surrounded Black female entertainers—especially Preer, but also Florence Mills—by drawing on Chicago Defender, New York Age and other African American newspapers of the era. It uses Preer as a primary case study to characterise the ways in which Black stardom was discursively similar to, but also necessarily different, from the constructions of dominant, Hollywood stardom. It situates African American within the gendered rhetoric of respectability, the New Negro discourse, and patriarchal ideas of the acting profession. Preer’s visibility in the white domain constituted an act of resistance, and a reminder of the Black struggle for equality.

KEYWORDS:

• Star studies
• African American
• 1920s
• race
• film history

Acknowledgments

I want to thank David Morton (University of Central Florida) and two anonymous reviewers of Feminist Media Studies for their constructive and insightful feedback on the first version of this piece.

Disclosure statement

No potential conflict of interest was reported by the author.

Additional information

Funding

This article was produced as part of Horizon 2020 research and innovation programme, Marie Skłodowska Curie grant agreement no. 792629., Black Cinema-Going.

Notes on contributors

Agata Frymus

Agata Frymus is a Lecturer in Film, Television and Screen Studies at Monash University, Malaysia, and the author of Damsels and Divas: European Stardom in Silent Hollywood (Rutgers University Press, 2020). Her research concentrates on the intersections of film history and race, particularly in the US. E-mail: [email protected]