ABSTRACT
Engaged ethnography requires a deep rationale for involvement and a passion for a particular cause. Visual ethnography implements an aesthetic component, compliment, or fold into that complex, multi-layered engagement. This theoretical research attempts to move beyond traditional, epistemic debates and blend anthropological, communicative, and sociological concepts to form a cohesive approach to knowledge construction that exposes power, educates on publicly important issues, and reaches a critical consciousness to visually engage the public sphere. It is through that effort to recognize when a break from the shackle of our own limits of consciousness can create previously unattainable knowledge.
Disclosure statement
No potential conflict of interest was reported by the author.
Notes on contributor
Travis R. Bell is a Multimedia Journalism Instructor in the Zimmerman School of Advertising & Mass Communications and a Ph.D. candidate in the Department of Communication at the University of South Florida.