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Pages 371-377 | Published online: 26 Nov 2012
 

Notes

1. J. Macgregor Wise, “Editorial Statement,” Communication and Critical/Cultural Studies 7, no. 1 (2010): 1–2.

2. Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005).

3. Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005), 171.

4. Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005), 175.

5. See J. Macgregor Wise, “Assemblage,” in Gilles Deleuze: Key Concepts, 2nd ed., ed. Charles J. Stivale (Durham, UK: Acumen, 2011), 91–102.

6. See Alexander Galloway and Eugene Thacker, The Exploit: A Theory of Networks (Minneapolis: University of Minnesota Press, 2007).

7. Lawrence Grossberg, Cultural Studies in the Future Tense (Durham, NC: Duke University Press, 2010).

8. Ted Striphas, “Acknowledged Goods: Cultural Studies and the Politics of Academic Journal Publishing,” Communication and Critical/Cultural Studies 7, no. 1 (2010): 4.

9. Diana Coole and Samantha Frost, ed., New Materialisms: Ontology, Agency, and Politics (Durham, NC: Duke University Press, 2010).

10. See Jane Bennett, Vibrant Matter: A Political Ecology of Things (Durham, NC: Duke University Press, 2010).

11. See Ian Bogost, Alien Phenomenology or What It's Like to Be a Thing (Minneapolis: University of Minnesota Press, 2012); Coole and Frost, New Materialisms; Jeremy Packer and Stephen B. Crofts Wiley, ed., Communication Matters: Materialist Approaches to Media, Mobility and Networks (New York: Routledge, 2012); Jussi Parikka, Insect Media: An Archaeology of Animals and Technology (Minneapolis: University of Minnesota Press, 2010); Dominic Pettman, Human Error: Species-Being and Media Machines (Minneapolis: University of Minnesota Press, 2011); and so on.

12. See Adriana de Souza e Silva and Jordan Frith, Mobile Interfaces in Public Spaces: Locational Privacy, Control, and Urban Sociability (New York: Routledge, 2012); Jason Farman, Mobile Interface Theory: Embodied Space and Locative Media (New York: Routledge, 2012); Gerard Goggin and Larissa Hjorth, ed., Mobile Technologies: From Telecommunications to Media (New York: Routledge, 2009); Larissa Hjorth, Mobile Media in the Asia-Pacific: Gender and the Art of Being Mobile (New York: Routledge, 2009); Larissa Hjorth, Jean Burgess, and Ingrid Richardson, ed., Studying Mobile Media: Cultural Technologies, Mobile Communication, and the iPhone (New York: Routledge, 2012); Shaun Moores, Media, Place, and Mobility (Basingstoke, UK: Palgrave Macmillan, 2012); Jeremy Packer, Mobility without Mayhem: Safety, Cars, and Citizenship (Durham, NC: Duke University Press, 2008); and Rowan Wilken and Gerard Goggin, ed., Mobile Technology and Place (New York: Routledge, 2012).

13. Referring, of course, to Raymond Williams's concept of mobile privatization. Raymond Williams, Television: Technology and Cultural Form (Hanover, CT: Wesleyan University Press, 1992).

14. John Urry, Mobilities (Cambridge: Polity, 2007). See also Mimi Sheller and John Urry, “The New Mobilities Paradigm,” Environment and Planning A 38, no. 2 (2006): 207–28; Kevin Hannam, Mimi Sheller, and John Urry, “Editorial: Mobilities, Immobilities and Moorings,” Mobilities 1, no. 1 (2006): 1–22; and Peter Adey, Mobility (New York: Routledge: 2009).

Additional information

Notes on contributors

J. Macgregor Wise

J. Macgregor Wise is Associate Dean of the New College of Interdisciplinary Arts and Sciences, and Professor of Communication Studies at Arizona State University

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