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Original Articles

“Things they do look awful cool:” Ageing rock icons and contemporary youth audiencesFootnote1

Pages 259-278 | Published online: 21 Nov 2010
 

Abstract

This article addresses the continuing appeal of ageing rock icons, for example, Pink Floyd, Robert Plant and Jimmy Page, for contemporary youth audiences. The article argues that much of the attraction of such artists for young audiences stems from the way in which they are used to position the development—and cultural resonance— of a late‐twentieth‐century rock history (of which young fans have no direct memory or experience). In examining this contention, the article considers the significance of issues such as the relevance of late 1960s and early 1970s rock music in parent‐child relationships, the function of visual media in the historical representation of rock icons in the “post‐digital” age, the significance of classic album and tribute band performances in portraying “freeze‐frame” fashion the work of ageing rock icons, and the function of “classic rock” as the signature tune of a golden age.

Résumé

Cet article s'intéresse à l'attrait des icônes vieillissantes de rock (Pink Floyd, Robert Plant, Jimmy Page) et la jeunesse contemporaine. L'article démontre qu'une grande partie de l'attraction de tels artistes pour les jeunes d'aujourd'hui provient de la manière dont elles sont employées pour placer le développement ‐ et résonance culturelle ‐ de l'histoire du rock du vingtième siècle (une partie de l'histoire, dont aucun, membre de cette jeunesse on mémoire de, ou expérience directe). En examinant cette controverse, l'article considère la signification des issues telles que la pertinence du rock des années 60 et début des années 70, et les changements de rapport familiaux entre parents et enfants, la fonction des médias visuels dans la représentation historique ‘ des icônes de rock, l'arrêt sur image des icônes du rock par les bandes d'hommages, et la fonction du rock classique durant l'âge d'or de cette musique.

Notes

The wording of the main title of this piece is a parody on the 1965 hit “My Generation” recorded by British rock group The Who and written by the group's guitarist Pete Townshend.

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