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Original Articles

Knit one, stitch two, protest three! Examining the historical and contemporary politics of crafting

Pages 437-460 | Published online: 21 Nov 2010
 

Abstract

Crafts are often understood as conservative and solitary pursuits of the elderly but crafts have long been used for mutual aid and political expression. This project examines two cases where crafts are used as instruments of political resistance. Started in 1987, the AIDS quilt was to remember those lost to the pandemic but its purpose was not limited to honouring the dead but was also a powerful tool for prevention, awareness and to highlight governmental inaction; The second case examines contemporary “craftivists,” activists that use crafts in subversive, political ways. This project is informed by de Certeau's work on the tactical nature of everyday life, where people subvert the structure of “culture” in order to make it their own. These two cases explore where craft (as art) and crafty (cunning) intersect and become a meaningful tool for political action.

Résumé

L'artisanat est souvent défini comme poursuite prudente et solitaire de personne âgée, mais ces professions artisanales ont longtemps été employées pour l'entre‐aides mutuelles et l'expression politique. Ce projet examine deux cas d'où l'artisanat a été employé comme instruments de résistance politique. Commencée en 1987, la courtepointe du SIDA avait pour buts d'identifier tous ceux perdus à la pandémie. Mais il faut dire que son but n'était pas limité à honorer les morts, car elle était également un outil puissant de prévention contre le SIDA, la conscientisation, et un outil politique qui soulignait l'inaction gouvernementale. Le deuxième cas examine comment les artisanats emploient leurs professions de manières subversives et politiques. Ce projet est informé par le travail de Certeau sur la nature tactique de la vie quotidienne d'où les acteurs renversent la structure de la culture afin que celle‐ci redevienne leurs propres cultures. Ces deux cas explorent où le métier (comme art) et astucieux (adroit) s'entrecroise et deviennent un outil d'action politique significatif.

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