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Abstract
The phenomenology of audition, which in addition to biological and acoustical sciences, forms the foundation of audiology, remains still to be studied. A brief outline of its entities and dimensions is provided giving the background to the subject of general phenomenology as presented, for example, by Husserl. The distinction of the noetic and noematic features, giving the temporal and the spatial characteristics of its entities as well as those of qualitative and quantitative contents, constitute a framework well applicable for the description of the phenomenology of audition.