Abstract
This article fills in the gap in my series of articles quantitatively surveying the stylistic changes in American feature films from 1939 to 1999, which have been previously published in the New Review of Film and Television Studies.
This article fills in the gap in my series of articles quantitatively surveying the stylistic changes in American feature films from 1939 to 1999, which have been previously published in the New Review of Film and Television Studies.
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