Money/L'argent

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Notes on contributors

Roger Celestin

Roger Célestin is a Professor of French and Comparative Literature and co-chair of French and Francophone Studies at the University of Connecticut. He has written on travel literature, detective fiction, film, and translation, among other topics. He is the author of From Cannibals to Radicals. Figures and Limits of Exoticism (U of Minnesota P, 1996), co-editor (with Isabelle de Courtivron and Eliane Dalmolin) of Beyond French Feminisms: Debates on Women, Politics, and Culture in France, 1980–2001 (Palgrave/St. Martin's, 2002), and co-author (with Eliane Dalmolin) of France From 1851 to the Present: Universalism in Crisis (Palgrave, 2007).

Peter Consenstein

Peter Consenstein is a Professor of French at Borough of Manhattan Community College and a member of the faculty of the Ph.D. Program in French at the CUNY Graduate Center, specializing in twentieth-century French literature with a focus on contemporary French poetry. Targeting the group Oulipo, his latest articles critique the works of Jacques Roubaud and Raymond Queneau. Currently, he is working on the manner in which Georges Perec expresses his Jewish identity and is completing a translation of Dominique Fourcade's Son blanc du un.

Eliane DalMolin

Eliane DalMolin is a Professor of French and co-chair of French and Francophone Studies at the University of Connecticut. She has published numerous articles on modern and contemporary poetry and on cinema and is the author of Cutting the Body: Representing Women in Baudelaire's Poetry, Truffaut's Cinema, and Freud's Psychoanalysis (U of Michigan P, 2000), co-editor (with Roger Célestin and Isabelle de Courtivron) of Beyond French Feminisms: Debates on Women, Politics, and Culture in France, 1980–2001 (Palgrave/St. Martin's, 2002), and co-author (with Roger Célestin) of France From 1851 to the Present: Universalism in Crisis (Palgrave, 2007).