Abstract
This article focuses on the ecological issues raised in Véronique Tadjo’s En compagnie des hommes (2017), a novel on the deadliest outbreak of Ebola in Guinea, Liberia and Sierra Leone from 2014 to 2016. It examines how Tadjo uses non-human narrators (a Baobab, a Bat, and the Ebola virus) to bear witness to an ancestral environmental ethos, to denounce humans’ environmentally violent practices, and to underscore the need to challenge and decenter humans’ dangerous anthropocentric position. It also studies how Tadjo uses human narrators to document the disruptions caused by the Ebola virus in their relationship with nature, specifically the disruption in burial rites and the role of guérisseurs (traditional healers). In this article, I argue that En compagnie des hommes is not only a memorial to nature and to humans’ interrelationship with the natural world, it also advocates for the repair of that relationship and for acting ethically and respectfully toward nature and non-humans.
Notes
1 See Centers for Disease Control and Prevention, Ebola Virus Disease Distribution Map: Cases of Ebola Virus Disease in Africa Since 1976, https://www.cdc.gov/vhf/ebola/history/distribution-map.html. Accessed 13 Mar. 2020.
2 See Musée des Civilisations Noires. http://www.mcn.sn/. Accessed 20 Mar. 2020.
Additional information
Notes on contributors
Marda Messay
Marda Messay is an Assistant Professor of French and Francophone studies at Simmons University. Her research focuses on contemporary sub-Saharan trauma narratives. Her work has been published in International Journal of Francophone studies and Women in French Studies.