Reclaiming the space: art therapy & post-abortion experience through an intersectional feminist lens

ABSTRACT

This paper explores post-abortion experience and identifies key themes that may arise while working with individuals who have had an abortion. This paper aims to revisit and deconstruct the issue of abortion and place it in the sociopolitical context from which it arises. The research included draws from multiple disciplines including art history, the politics of inclusivity and the interconnections between identity, oppression and privilege, as a way to understand the intricacy of one’s experience of abortion and approaches the topic through an intersectional feminist lens. The paper explores art therapy as a powerful approach to depict loss, and questions how we can create a safe therapeutic space for our clients in order to allow them to further explore their post-abortion experience. Two key themes were explored; ‘self and body as a compass’ and ‘working with the “invisible loss” and recreating the narrative; Art therapy approach’. The first theme touches on the sociopolitical ideas imprinted on the body and how a therapeutic space may allow an individual to further explore the memories associated with their experience. The second theme further looks into how art therapy can be a powerful approach for the exploration of themes that emerge post-abortion, as well as the importance of being able to encourage agency in our client to choose their own way of using the therapeutic space. Finally, I have included my own use of creating and reviewing artwork as a form of self-reflexivity.

Plain-language summary

This paper explores the post-abortion experience and identifies two key themes that may emerge while working with individuals who have had an abortion. The first theme is; ‘self and body as a compass’ and the second; ‘working with the “invisible loss” and recreating the narrative; Art therapy approach’. I have drawn from my own art-making process in response to the topic and a contemporary artist’s personal body of work, called Tony Gum, in order to navigate the themes explored in this paper.

This paper will hopefully help to start conversations around how we can create a safe therapeutic space for our clients and how we can support them in the way they want to use the therapeutic space to further explore their experience. Research recommendations are also discussed.

KEYWORDS:

• Post-abortion
• intersectionality
• feminism
• art therapy
• grief
• social action
• self-reflexivity

Acknowledgements

I would like to thank Marygrace Berberian for so generously supporting me and continuously inspiring me throughout the process of writing.

Disclosure statement

No potential conflict of interest was reported by the author(s).

Additional information

Notes on contributors

Natalia Talamagka

Natalia Talamagka I am a recently qualified art psychotherapist and socially engaged artist. My art therapeutic work draws from my art practice as well as interdisciplinary research. The ‘personal as political’ is at the core of my work and my creative practice explores themes including intersectional abolitionist feminism, trauma, power dynamics and identity as well as how the interaction of these manifests in the space.