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Journal of Mathematics and Music
Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance
Volume 11, 2017 - Issue 2-3: Perfect Balance and the Discrete Fourier Transform
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Corrigenda

Corrigendum

This article refers to:
Kōan-like ambiguities in John Cage's Electronic Music for Piano: a novel application of formal concept analysis

Michael D. Fowler (2017) Kōan-like ambiguities in John Cage’s Electronic Music for

Piano: a novel application of formal concept analysis. Journal of Mathematics and Music, 11(1) pp. 20-41.

The above article contains errors. The details of the copyright holder is missing from the captions for Figures 1 and 2. The figure captions should read as follows:

Figure 1. Notation “AY” from Cage’s Concert for Piano and Orchestra, from Edition Peters No. 6705, ©1960 by Henmar Press Inc., New York. All Rights Reserved. Reproduced by permission.

Figure 2. Complete score of Cage’s Electronic Music for Piano, from Edition Peters No. 6801, ©1960 by Henmar Press Inc., New York. All Rights Reserved. Reproduced by permission.

The author apologizes for these errors.

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